As both a composer and a singer, Susan Botti's eclectic background and experiences are reflected in her music. Whether in an orchestral or chamber setting, theatrical influences play a vital part in her musical expression.
Awarded both a Guggenheim Fellowship and the Frederic A. Juilliard/Walter Damrosch Rome Prize in Music Composition, Botti was in residence at the American Academy in Rome from 2005-2006. She was the 3rd Daniel R. Lewis Young Composer Fellow with the Cleveland Orchestra from 2003-2005. The orchestra premiered her work, Impetuosity (conducted by Roberto Abbado); and a new work, Translucence, was commissioned and premiered (conducted by music director, Franz Welser-Möst).
Botti's EchoTempo (for Soprano, Percussion & Orchestra) was commissioned and premiered by Maestro Kurt Masur and the New York Philharmonic (with Botti and Christopher Lamb as soloists). The European premiere of EchoTempo (with the same soloists under Maestro Gunther Herbig) occurred soon after in the "Music im 21. Jahrhudert" festival in Saarbrùcken, Germany. Other performances of this work include Ms. Botti as soloist with Maestro H.K. Gruber and the NPS Radio Orchestra in Utrecht, Holland, with percussionist Peter Prommel.
A recent chamber music project, Gates of Silence, was a 3-part commission from the Blakemore Trio (Vanderbilt University) - works for violin & piano; piano trio; and piano trio plus soprano (Botti). Inspired by Virgil's Aeneid, this work incorporates poetry by National Book Award finalist, Linda Gregerson. This poetry, Dido Refuses to Speak, was awarded a 2011 Pushcart Prize. Gates of Silence was premiered in Nashville, and at Merkin Hall in NYC.
A commission from the Orpheus Chamber Orchestra for solo violin and chamber orchestra, Within Darkness, was premiered at Carnegie Hall and The Kennedy Center, with Martha Caplin as violin soloist.
Botti's Cosmosis (for wind ensemble, soprano soloist, and women's voices) was commissioned by a consortium of universities, and premiered at Carnegie Hall, with conductor Michael Haithcock leading the University of Michigan wind ensemble and chorus, and the composer as soloist. Another consortium of university bands (NWECG) commissioned a new work for wind ensemble from Botti, Terra Cruda, which premiered in the 2011-2012 season, recorded by the Hartt Wind Ensemble/Glen Adsit for Naxos.
Upcoming premieres include Botti's Concerto for Saxophone and Wind Ensemble, and Crystal Clues to the Sublime for solo piano, which will be performed in a multimedia presentation with animated photography by Alice Weston.
A CD of Botti's vocal chamber music, listen, it's snowing, (New World/CRI) features her operatic soliloquy, Telaio: Desdemona (for soprano, string quartet, harp, piano & percussion). Called "striking emotional music..." (Opera Magazine), this work was commissioned by The American Artists Series of Detroit, and has been performed in New York City, Taipei, Detroit, Santa Fe, Atlanta, and Washington D.C.
In addition to performing her own vocal works, Botti specializes in the performance of contemporary music by composers of diverse styles, including: Gubaidulina, Crumb, Kurtág, Cage, Chihara, Pintscher, Matheson, and Partch, among others. She was featured as a composer and singer on the Los Angeles Philharmonic's Green Umbrella series in a concert honoring Steven Stucky's 20th anniversary as the LA Phil's Composer in Residence. Composer/conductor Tan Dun created several major works highlighting her vocal and theatrical talents, including his Red Forecast for soprano and orchestra, which she premiered with the BBC Scottish Symphony and performed at Carnegie Hall with the American Composers Orchestra. Tan Dun also wrote the role of "Water" for her in his internationally renowned opera, Marco Polo (Sony Classical), which she premiered at the Münchener Biennale, and subsequently performed in Europe and Asia, and at the New York City Opera. She can also be heard as vocal soloist in Tan Dun's soundtrack for The Banquet.
A native of Cleveland, Ohio, Botti's early training included studies in music, art, and theater. She received her Bachelor of Music from the Berklee School of Music; and her Masters in Music Composition from the Manhattan School of Music. Her vocal teachers included Hilda Harris, Drew Minter, Myron McPherson, and Nancy Armstrong. She is the recipient of numerous grants and awards, including the Goddard Lieberson Fellowship from the American Academy of Arts and Letters; and grants from Meet The Composer, the National Endowment for the Arts, The Aaron Copland Fund, The Mary Flagler Cary Charitable Trust, The NY Foundation for the Arts, The Greenwall Foundation, The Jerome Foundation, ASCAP, and the Foundation for Contemporary Performance Arts. Botti was an Associate Professor of Composition at the University of Michigan, Ann Arbor (from 2000-2006). She is currently a member of the Composition faculty at the Manhattan School of Music in NYC (from 2006), and is an Adjunct Associate Professor at Vassar College.
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Susan Botti -